THE WORLD OF CINEMA EXPLOITATION


Go Trabi Go!

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Jeď, Trabi, jeď!

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    Go Trabi Go

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    Poď, Trabi, poď

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    To bol divoký Východ 1

Komedie
Německo, 1991, 92 min  (16:9)
Lang: Czech German

Režie (Director):  Peter Timm
Hrají (stars): Ottfried Fischer, Jophi Ries, Barbara Valentin

Rodina Struutzova se se svým Trabantem vydá na panenskou jízdu do Itálie. Otec Udo, matka Rita i sedmnáctiletá dcera Jacqueline se po otevření hranic těší na jih. Už při zastávce v Mnichově udělají první zkušenosti s tržním hospodářstvím - s neodbytnou prodavačkou v obchodním domě. To je však teprve začátek rodinné dovolené. (oficiální text distributora)

Go Trabi Go is a 1991 German comedy film. It was the first major box office hit about events concerning the newly reunified Germany. Unlike other films in this period which focused on the problems following the reunification, Go Trabi Go sees the main characters, former citizens of East Germany, explore places in Europe outside the Eastern Bloc that they were not allowed to visit during the Communist era.

Go Trabi Go was a major box office hit, attracting 1.5 million viewers in both parts of Germany, making it one of only three unification films that enjoyed success at the box office. This success has been described as being partly due to the love/hate relationship many East Germans had with their "Trabi", which was the most well-known and ridiculed symbol of East Germany.

Stephen Kinzer of The New York Times described the movie as a way for East Germans to laugh "not precisely at themselves, but at the absurdities of the system under which they lived until last year."  He likens the Trabi as a symbol for the people who built it, who "survive[d] through difficult times and ultimately triumph[ed]".  The film was also praised for its rollicking portrayal of the car as a main character while still getting across the problems of the "East" in the newly reunified country by using the car as a metaphor — slow, breaking down and ridiculed by the West.

The film was criticized for relying almost solely on crude clichés and mostly ignoring politically sensitive issues.[6] Another reason for criticism was that the film paints the main characters in a humble, fair and nice way while their West German counterparts are depicted as vulgar, mean and shallow.

East Germany's answer to Barbara Windsor   - Barbara Valentin


  • Model: czdd
  • Manufactured by: Danish Import


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